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freq_out 1.2∞(skandion)

Skandion_toppfreq_out 1.2∞(skandion) will be the first permanent freq_out sound installation. It will be installed in the small garden at the new Skandion Clinic for cancer treatment in Uppsala, Sweden, and inaugurated in the fall of 2014. The following artists will contribute to the sound installation : Tommi Grönlund / Petteri Nisunen, Mike Harding, Jana Winderen, Finnbogi Petursson, Anna Ceeh / Franz Pomassl, Jacob Kirkegaard, The Sons of God (Kent Tankred / Leif Elggren), BJNilsen, Maia Urstad, JG Thirlwell, Brandon LaBelle, Christine Ödlund, Permagnus Lindborg and artist curator Carl Michael von Hausswolff. The project curator is Lotta Mossum and project organizors are Tomas Nilsson and Akademiska Hus.
The Skandion Clinic is the first clinic for proton therapy in Scandinavia. Proton therapy makes it possible to treat cancer more effectively and with fewer side effects than with conventional radiation therapy.  The clinic is located in Uppsala, Sweden and the first patient is expected to be treated in 2015. The clinic is designed at present for treatment of 1000 patients per year, but with an option of future expansion.

The artists of freq_out feel very honored to contribute to this project.

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JGT's Split 7" single with Teho Teardo

Santarcangelo is a split single between JG Thirlwell and Italian musician/composer Teho Teardo, It documents separate sound installations they did at the Santarcangelo festival in Italy a couple of years back. Released on Teardo’s Specula label, it is currently exclusively available from his website.  The pressing is limited to 500 copies, one hundred of which are on blue vinyl.

Thirlwell’s piece on the single, entitled Ecclesiophobia, is a recording distilled down to six minutes from a three hour installation piece. This involved a bottle of water  dripping onto a bass drum head through an intravenous attachment, which reflected ripples throughout a vaulted subterranean chamber and triggered a low frequency which resonated in another room. This was accompanied by a live manipulation of field recordings of church bells from the medieval town, along with other compositional elements, into a four channel installation.