{"id":5435,"date":"2015-09-05T08:36:27","date_gmt":"2015-09-05T12:36:27","guid":{"rendered":"http:\/\/foetus.org\/content\/?p=5435"},"modified":"2015-09-05T08:36:27","modified_gmt":"2015-09-05T12:36:27","slug":"freq_out-skandion-lp-release","status":"publish","type":"post","link":"https:\/\/www.foetus.org\/content\/news\/freq_out-skandion-lp-release\/","title":{"rendered":"freq_out Skandion LP release"},"content":{"rendered":"<p><a href=\"https:\/\/foetus.org\/content\/wp-content\/uploads\/2015\/09\/1904147_977423985631274_1251900534757219373_n.jpg\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-5434\" alt=\"freqout skandion\" src=\"https:\/\/foetus.org\/content\/wp-content\/uploads\/2015\/09\/1904147_977423985631274_1251900534757219373_n-300x294.jpg\" width=\"300\" height=\"294\" \/><\/a>The new<a href=\"https:\/\/freq-out.org\/\"><strong> freq_out<\/strong><\/a> LP contains the studio mix and a live recording of the first permanent installation of a freq_out piece called freq_out 1.2 \u221e SKANDION. The multi-channel work is up and running in the entrance garden at the <a href=\"https:\/\/www.skandionkliniken.se\/\">Skandion Klinik<\/a>, a new hospital for cancer treatment in Uppsala, Sweden.<br \/>\nThe freq_out project has existed since 2003, when <a href=\"https:\/\/www.cmvonhausswolff.net\/\"><strong>Carl Michael von Hausswolff<\/strong> <\/a>was invited to Copenhagen to invent and install a sound-art installation. He divided up the audible sonic register into 12 parts and asked 12 artists, musicians, composers, and architects to each accept one of the 12 parts and compose a sonic piece from it. The result became 12 compositions\/artworks that were simultaneously played on 12 different sound systems in the art space of Charlottenborg, thus becoming one piece. Since then, freq_out has also been installed in Oslo, Berlin, Paris, Budapest, Chiang Mai, Kortrijk, Stockholm, Amsterdam, and Marrakesh.<\/p>\n<p>The artists who contributed to the work are <strong><a href=\"https:\/\/www.janawinderen.com\/\">Jana Winderen<\/a>, <a href=\"https:\/\/www.maia.no\/\">Maia Urstad<\/a>, <a href=\"https:\/\/www.christineodlund.se\/\">Christine \u00d6dlund<\/a>, <a href=\"https:\/\/www.brandonlabelle.net\/\">Brandon LaBelle<\/a>, <a href=\"https:\/\/www.foetus.org\">JG Thirlwell<\/a>, <a href=\"g-n.fi\/\">Petteri Nisunen<\/a>, <a href=\"https:\/\/www.g-n.fi\/\">Tommi Gr\u00f6nlund<\/a>, The Sons of God, <a href=\"https:\/\/www.laton.at\/\">Franz Pomassl<\/a>, Anna Ceeh, <a href=\"www.touch.org\">Mike Harding<\/a>, <a href=\"https:\/\/www.finnbogi.com\/\">Finnbogi P\u00e9tursson<\/a>, <a href=\"https:\/\/www.bjnilsen.com\/\">BJ Nilsen<\/a>, <a href=\"https:\/\/www.fonik.dk\">Jacob Kirkegaard<\/a>, <a href=\"https:\/\/www.permagnus.org\/\">PerMagnus Lindborg<\/a><\/strong>, and <strong>Carl Michael von Hausswolff<\/strong>. It&#8217;s released on Sep 25 2015 by <a href=\"https:\/\/www.ashinternational.com\/\">Ash International<\/a> and you can order it from <a href=\"https:\/\/touchshop.org\/product_info.php?products_id=709\">Touch<\/a> in Europe or <a href=\"https:\/\/www.forcedexposure.com\/Catalog\/va-freq-out-1-2-skandion-lp\/ASH.12.0LP.html\">Forced Exposure <\/a>in the US.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new freq_out LP contains the studio mix and a live recording of the first permanent installation of a freq_out piece called freq_out 1.2 \u221e SKANDION. The multi-channel work is up and running in the entrance garden at the Skandion Klinik, a new hospital for cancer treatment in Uppsala, Sweden. The freq_out project has existed [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[18],"tags":[103,134,173,198,235,274,470,486,491,611,624,649,814,905,1041,1050,1189,1207,1290,1328],"_links":{"self":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/posts\/5435"}],"collection":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/comments?post=5435"}],"version-history":[{"count":0,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/posts\/5435\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/media?parent=5435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/categories?post=5435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/tags?post=5435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}