{"id":20335,"date":"2022-02-08T12:36:40","date_gmt":"2022-02-08T12:36:40","guid":{"rendered":"https:\/\/www.foetus.org\/content\/?page_id=20335"},"modified":"2022-02-08T12:36:40","modified_gmt":"2022-02-08T12:36:40","slug":"1997-seconds-magazine-review-foetusnull-void","status":"publish","type":"page","link":"https:\/\/www.foetus.org\/content\/press\/interviews-and-reviews\/1997-seconds-magazine-review-foetusnull-void\/","title":{"rendered":"1997 Seconds Magazine Review Foetus:Null\/Void"},"content":{"rendered":"<p>FOETUS<br \/>\nNull\/Void<\/p>\n<p>For Foetus fans who won&#8217;t attempt to categorize his sound, this double-CD EP release proves the validity of their refusal.  The nearly radio-friendly sludgery of &#8220;Verklemmt&#8221; and the spooky escapism of &#8220;Into The Light&#8221; represent both ends of J.G. Thirlwell&#8217;s musical spectrum.  Herein are such masterpieces as &#8220;Be Thankful,&#8221; &#8220;Verklemmt&#8221; (Queef Mix), a remix of &#8220;Verklemmt&#8221; (the Protecto Mix,which exudes the secret Techno\/Trance influences that Thirlwell has been harboring for so long), and &#8220;Butter,&#8221; a raucous Rock &#038; Roll romp through Thirlwell&#8217;s reduction of his own persona on to magnetic tape. &#8220;Incesticide&#8221; harkens back to J.G.&#8217;s Wiseblood days with with massive drum and bass pokes.  erhaps the skin-crawlingist of all Foetus tracks is &#8220;See Dick Run&#8221;, backed by twisted Romper Room nap-time tinklings and talking-doll dialogue.  Thirlwell describes his version of the Dick And Jane children&#8217;s book series, replete with Jane&#8217;s brains splattered on the kitchen wall.  A left-over from the Gash LP sessions, &#8220;Flux&#8221; features the Heresey Horns, Tod Ashley (Cop shoot Cop, Firewater), Marc Ribot (Lounge Lizards, Tom Waits), and Vinnie Signorelli (Unsane, Swans), and it looms large &#8211; detective music gorged with a brass section.  On the Blues-y &#8220;Friend Or Foe&#8221; (Unhugged Mix), Thirlwell surprises everyone with help from Marcellus Hall (Railroad Jerk) on aching harp.  Also included in the set is &#8220;Iris Evergreen,&#8221; a nine-and-a-half minute dancefloor throb that only serves to further solidify Foetus as being the obvious Electro-Industrial influence of choice.<\/p>\n<p>Seconds magazine, Issue #43 (1997), by Daniel Langdon Jones <\/p>\n","protected":false},"excerpt":{"rendered":"<p>FOETUS Null\/Void For Foetus fans who won&#8217;t attempt to categorize his sound, this double-CD EP release proves the validity of their refusal. The nearly radio-friendly sludgery of &#8220;Verklemmt&#8221; and the spooky escapism of &#8220;Into The Light&#8221; represent both ends of J.G. Thirlwell&#8217;s musical spectrum. Herein are such masterpieces as &#8220;Be Thankful,&#8221; &#8220;Verklemmt&#8221; (Queef Mix), a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":210,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/20335"}],"collection":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/comments?post=20335"}],"version-history":[{"count":1,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/20335\/revisions"}],"predecessor-version":[{"id":20336,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/20335\/revisions\/20336"}],"up":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/210"}],"wp:attachment":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/media?parent=20335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}