{"id":20307,"date":"2022-02-08T02:05:47","date_gmt":"2022-02-08T02:05:47","guid":{"rendered":"https:\/\/www.foetus.org\/content\/?page_id=20307"},"modified":"2022-02-08T02:05:47","modified_gmt":"2022-02-08T02:05:47","slug":"1995-consumable-magazine-review-foetus-gash","status":"publish","type":"page","link":"https:\/\/www.foetus.org\/content\/press\/interviews-and-reviews\/1995-consumable-magazine-review-foetus-gash\/","title":{"rendered":"1995 Consumable Magazine Review Foetus: Gash"},"content":{"rendered":"<p>Consumable issue 45, review of GASH, 07 Jul 1995.<\/p>\n<p>FOETUS Gash (Columbia)<\/p>\n<p>By Al Crawford<\/p>\n<p>It must be interesting to live inside Jim Thirlwell&#8217;s head, as his creative yet decidedly warped mind careers headlong through a maelstrom of styles and ideas.  Gash, his first full length release on Columbia is perhaps not Thirlwell&#8217;s best effort ever, but this particular twisted grab-bag of material rarely drops below &#8220;pretty good&#8221; and, as the Thirlwell brain bounces around inside his cranium, he throws out some truly exceptional material.<\/p>\n<p>Gash is dark, synth industrial, grinding guitars, the distinctive Thirlwell &#8220;industrial big band&#8221; sound, borrowed Indian melodies, and grandiose orchestral sequences, both sequentially and concurrently.  I was particularly impressed by &#8220;Take It Outside Godboy&#8221;, a 2-in-1 combination of haunting strings and driving aggressive rock, the big-band &#8220;Slung&#8221;, the grandeur and sick strings of &#8220;They Are Not So True&#8221;, the list goes on.  Maybe it&#8217;s about time Jim got the same level of recognition as those he&#8217;s remixed recently (NIN, F242, EMF, Megadeth).  Gash certainly possesses just the right combination of accessibility and the Foetus sound of old to bridge that gap.<\/p>\n<p>Original source.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Consumable issue 45, review of GASH, 07 Jul 1995. FOETUS Gash (Columbia) By Al Crawford It must be interesting to live inside Jim Thirlwell&#8217;s head, as his creative yet decidedly warped mind careers headlong through a maelstrom of styles and ideas. Gash, his first full length release on Columbia is perhaps not Thirlwell&#8217;s best effort [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":210,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/20307"}],"collection":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/comments?post=20307"}],"version-history":[{"count":1,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/20307\/revisions"}],"predecessor-version":[{"id":20308,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/20307\/revisions\/20308"}],"up":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/210"}],"wp:attachment":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/media?parent=20307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}