{"id":20248,"date":"2022-02-07T13:01:42","date_gmt":"2022-02-07T13:01:42","guid":{"rendered":"https:\/\/www.foetus.org\/content\/?page_id=20248"},"modified":"2022-02-07T13:03:18","modified_gmt":"2022-02-07T13:03:18","slug":"1988-rockpool-review-foetus-thaw","status":"publish","type":"page","link":"https:\/\/www.foetus.org\/content\/press\/interviews-and-reviews\/1988-rockpool-review-foetus-thaw\/","title":{"rendered":"1988-Rockpool-Review-Foetus-Thaw"},"content":{"rendered":"<p>Foetus Interruptus: Thaw   (Self-Immolation\/Some Bizarre UK)<\/p>\n<p>Another swinging Foetus-wrecking ball.  Threatening and explosive, Clint Ruin&#8217;s latest, Thaw, is a mixture of styles all with that Thirlwell rumbling, abrasive edge.  The album taken as a whole pulsates with boom then swirls with strings.  Vocals roar and chill on the authoritative &#8220;Don&#8217;t Hide It Provide It&#8221; &#8211; (&#8220;If you don&#8217;t stop houndin&#8217; me I&#8217;m gonna be poundin&#8217; thee&#8221;).  Classical themes are interwoven throughout the LP, especially on &#8220;Asbestos&#8221; with its Stravinsky-like siege laid over a horror movie soundtrack and &#8220;Fratricide Pastorale&#8221;, an instrumental dirge.  &#8220;Dipsomaniac Kiss&#8221; is probably the closest Foetus Interruptus will get to a lounge act with the walking bass, bluesy piano and lamenting guitar building into a climax of perilous feedback and big band horns.  With &#8220;!Chingada!&#8221; Indian melodies and percussion are set with scream and stomp.  The album wraps up with the eerie &#8220;A Prayer For My Death&#8221;, a hope for release from &#8220;this earthly alcatraz&#8221; to the eternity of demise.  Not for those weak at heart.<\/p>\n<p>Source: Rockpool of 15 December 1988, Colleen Murphy. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Foetus Interruptus: Thaw (Self-Immolation\/Some Bizarre UK) Another swinging Foetus-wrecking ball. Threatening and explosive, Clint Ruin&#8217;s latest, Thaw, is a mixture of styles all with that Thirlwell rumbling, abrasive edge. The album taken as a whole pulsates with boom then swirls with strings. Vocals roar and chill on the authoritative &#8220;Don&#8217;t Hide It Provide It&#8221; &#8211; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":210,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/20248"}],"collection":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/comments?post=20248"}],"version-history":[{"count":2,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/20248\/revisions"}],"predecessor-version":[{"id":20251,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/20248\/revisions\/20251"}],"up":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/210"}],"wp:attachment":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/media?parent=20248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}