{"id":1598,"date":"2010-03-18T16:50:37","date_gmt":"2010-03-18T20:50:37","guid":{"rendered":"http:\/\/foetus.org\/content\/?page_id=1598"},"modified":"2010-03-18T16:50:37","modified_gmt":"2010-03-18T20:50:37","slug":"foetus-interruptus-thaw","status":"publish","type":"page","link":"https:\/\/www.foetus.org\/content\/discography\/releases\/foetus-interruptus-thaw\/","title":{"rendered":"Foetus Interruptus: Thaw"},"content":{"rendered":"<div class=\"row\">\n<div class=\"col-md-7\">\n<h3>Release Information<\/h3>\n<p>LP  Sep1988  Self Immolation \/ Some Bizzare  #WOMB FIP 5  Made in the UK<br \/>\nLP  1988  Self Immolation \/ Some Bizzare \/ Danceteria  #WOM FIP 5 \/ DAN LP 009  Made in Belgium<br \/>\nLP   1988  Self Immolation \/ Some Bizzare \/ Rough Trade  #RTD 81  Made in Germany<br \/>\nCD  1988  Self Immolation \/ Some Bizzare  #WOMB FIP 5 CD  Made in the UK<br \/>\nCS   1988  Self Immolation \/ Some Bizzare  #WOMB FIP 5 C  Made in the UK<br \/>\nCD  1995  Thirsty Ear  #THI 57013.2  Made in the US<br \/>\nCD  2007  Some Bizzare  # SBZ054CD  Made in the UK<\/p>\n<h3>Track Listing <\/h3>\n<p>01. Don\u2019t Hide It Provide It<br \/>\n02. Asbestos<br \/>\n03. Fin<br \/>\n04. English Faggot \/ Nothin Man<br \/>\n05. Hauss-on-Fah<br \/>\n06. Fratricide Pastorale<br \/>\n07. The Dipsomaniac Kiss<br \/>\n08. Barbedwire Tumbleweed<br \/>\n09. \u00a1Chingada!<br \/>\n10. A Prayer for My Death <\/p>\n<\/p>\n<p><\/p>\n<h3>Linear Notes<\/h3>\n<\/p>\n<p>ALL SONGS WERE WRITTEN, ARRANGED,  PERFORMED AND PRODUCED BY FOETUS INTERRUPTUS \/ CLINT RUIN \/ J.G. THIRLWELL<\/p>\n<p>RECORDED AND MIXED AT B.C., BROOKLYN  DEC 87 &ndash; MAR 88<\/p>\n<p>ENGINEERED BY MARTIN BISI<\/p>\n<p>SONGS PUBLISHED BY DIMEHART<\/p>\n<p>SLEEVE BY J.G. THIRLWELL<\/p>\n<p>EXECUTION: MX\/Ai<\/p>\n<h3>Release Notes<\/h3>\n<p>Danceteria LP had a gatefold sleeve and a single-page insert \/ lyric sheet.<\/p>\n<p>Self Immolation \/ Some Bizarre LP  had a single-page insert \/ lyric sheet.<\/p>\n<p>The first edition of the GB CD was assembled in the GB, with the CD actually manufactured in Switzerland.<\/p>\n<p>The inspiration for English Faggot\/Nothin\u2019 Man came from a harassing message Thirlwell received on his answering machine.<\/p>\n<h3>Reviews<\/h3>\n<blockquote>\n<p><strong>MANY A<\/strong> Foetus has washed under the bridge since the  emergent J.G.Thirlwell announced: \u2018<strong>Mother, I\u2019ve Killed the Cat!<\/strong>\u2018<\/p>\n<p>But there is none so furious as the Foetus Interruptus. Oh sure  we\u2019ve stripped down to the Foetus of Excellence T-shirt and pulled from the  Foetus box such feisty corkers as Foetua Uber Frisco, Scraping Foetus Off The Wheel, the Foetus All-Nude Revue, Wiseblood, Foetus Art Terrorism, and You\u2019ve Got  Foetus On Your Breath.<\/p>\n<p>But whereas the All Nude revue <strong><em>Bedrock<\/em><\/strong> 12\u2033 might\u2019ve led us to think that ol\u2019brown eye was back but bland, the Interruptus interrupts us with Thirlwell\u2019s sickest excesses yet. (And  that\u2019s \u2018sick\u2019 as in gross black humour, enough to overflow the anal-canal  brains who hope that a little Foetus might rub off on them).<\/p>\n<p>Yessir, every bar here is a Tet offensive of the senses. Jimbo  lays waste to his brief Las Vegas career (<strong><em>Bedrock<\/em><\/strong>) with a  single scythe of his pigsticker on the opening \u2018Don\u2019t Hide It, Provide It\u2019. He want meat on a plate-NOW-to the accompaniment of various bad  motorcycles, machine gunrounds, and the jackhammer Furo-disco that he has co-opted  into a devilish trademark. Except this time it turns tighter, like a noose on the ankles. Because Foetus is hopping mad, and still no vegan.<\/p>\n<p>\u2018English Faggot\u2019 would appear to be the first publication of a  hitlist, and the one who abandoned him on the Blackpool pier-  I don\u2019t like  being left in the sun- is risking dismemberment even just by listening to  this cut. Thirlwell apparently hates England, as it applies to his work (biz spoonfeeding the music public with slush), so he reserves particular  fury for this enemy. One of the essential Foetus statements is I see no  reason to take responsibility -part of his avowed \u2018positive negativism\u2019,  whereby he takes the opposite stance to please and nobody else. Spurning the  charity free-for-all, the Foetus diverts his energies into attempting to repel those who might offer HIM a little charity.<\/p>\n<p>Like the horrifically detailed \u2018Hauss-On-Fire\u2019, whereby he  relates a first-person Klansman loot\u2019n&#8217;burn fairytale just to see who sticks a  head over the parapet to yell: Sick! SICK!!! Oh yes. And response is  inevitable. So Foetus digs in a little deeper.<\/p>\n<p>Big deal? Maybe, but it\u2019d still be nice to see him flogging a few  of those <strong><em>Hole<\/em><\/strong> posters outside showings of THE LAST TEMPTATION OF CHRIST (he starved  himself for six weeks to \u2018look right\u2019 on The Cross).<\/p>\n<p>The going gets weirder on Side Two. And Mr Weird gets going,  \u2018Chingada\u2019, screamed in Spanish, backed by a punjabi-sounding raga with hammering  drums overhead. All preceded by such scene-setting instrumental pieces as  \u2018Fratricide Pastorale\u2019 and \u2018Barbwire Tumbleweed\u2019.<\/p>\n<p>And he rounds it off with \u2018A Prayer for My Death\u2019, one way outta  here with only a napalm aftershave headache for comfort. Bullshit is  obligatory\/ daily life is dysentery\u2026 I need a release\/ say a prayer.<\/p>\n<p>The Foetus has landed, shit-faced, sweating, raw and alive. Give  him a good home and keep smiling. (8)<\/p>\n<p><em>Source: NME Magazine of 24 September 1988, David Swift.<\/em><\/p>\n<p><em>Original text including (most) mis-spellings left intact.<\/em><\/p>\n<p><em>Thanks to Villene for transcription.<\/em><\/p>\n<\/blockquote>\n<blockquote>\n<p>Another swinging Foetus-wrecking ball.  Threatening and explosive, Clint Ruin\u2019s latest, Thaw, is a mixture of styles all with that Thirlwell rumbling, abrasive edge.  The album taken as a whole pulsates with boom then swirls with strings.  Vocals roar and chill on the authoritative Don\u2019t Hide It Provide It &ndash; (If you don\u2019t stop houndin\u2019 me I\u2019m gonna be poundin\u2019 thee).  Classical themes are interwoven throughout the LP, especially on Asbestos with its Stravinsky-like siege laid over a horror movie soundtrack and Fratricide Pastorale, an instrumental dirge.  Dipsomaniac Kiss is probably the closest Foetus Interruptus will get to a lounge act with the walking bass, bluesy piano and lamenting guitar building into a climax of perilous feedback and big band horns.  With !Chingada! Indian melodies and percussion are set with scream and stomp.  The album wraps up with the eerie A Prayer For My Death, a hope for release from this earthly alcatraz to the eternity of demise.  Not for those weak at heart.<\/p>\n<p>Source: Rockpool of 15 December 1988, Colleen Murphy.<\/p>\n<\/blockquote>\n<\/div>\n<div class=\"col-md-5\">\n<br \/>\n<img align=\"right\" src=\"https:\/\/foetus.org\/content\/wp-content\/gallery\/albums\/thaw.jpg\"><\/div>\n<div class=\"clearfix\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Release Information LP Sep1988 Self Immolation \/ Some Bizzare #WOMB FIP 5 Made in the UK LP 1988 Self Immolation \/ Some Bizzare \/ Danceteria #WOM FIP 5 \/ DAN LP 009 Made in Belgium LP 1988 Self Immolation \/ Some Bizzare \/ Rough Trade #RTD 81 Made in Germany CD 1988 Self Immolation \/ [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1984,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-full-width.php","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/1598"}],"collection":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/comments?post=1598"}],"version-history":[{"count":0,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/1598\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/pages\/1984"}],"wp:attachment":[{"href":"https:\/\/www.foetus.org\/content\/wp-json\/wp\/v2\/media?parent=1598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}